Launches Free Streaming Music Service, New Biz Model

CBS-owned social music service today announced a switch from playing song snippets to providing free streaming music, a move backed by an ad-supported business model. All four major record companies have signed on, as have 150,000 independent labels, making’s inventory of songs larger than that of iTunes. From the CBS press release:

Martin Stiksel, co-founder, said: “We’re giving the listener free access to what is basically the best jukebox in the world. The ability to dip into such a uniquely broad catalogue from your laptop, home or office computer, and listen to whatever you want for free represents a new way of consuming music that in turn might change the way you listen to music. In that respect, nobody else can currently offer what is offering right now.”

There are some drawbacks to the new model: no downloads, and users will only be able to play a single song up to three times. Then they’ll be prompted to join the company’s subscription service, details of which are still forthcoming. Also, the site will not require users to register but will likely utilize cookies to track user behavior and target banner ads, though the company remains mum about exactly how they’ll track.

The new model is being compared to social network Imeem, which only offers user-uploaded tracks, and SpiralFrog, which is supported by audio ads as opposed to’s banners [according to a quote in the BBC, but see update below for correction]. It more directly challenges Rhapsody and Napster, two subscription-based streaming models that, as Mathew Ingram rightfully writes, should be scared. But what’s most interesting about, and what makes it a potential challenger to MySpace, as Mashable notes, is that it also offers a perk to unsigned artists who can upload their songs and receive royalties every time a song is played.

What’s curious about this is that it sets up a very attractive distribution model for new artists that will undermine all labels in the long haul. Then again, the incentive to sign on with a record label in the first place was fast-fading thanks to MySpace, which has become a really successful self-promotional tool for artists. sweetens the pot with money, though it’s important to note we don’t know how much artists will make for each stream. The labels need in order to monetize now, but is probably the real beginning of the end for the music industry as it exists now.

And video is next: writes that the company owns and execs say video is in the works, which may have big ramifications for strike-embroiled Hollywood and its writers.

Update: SpiralFrog’s PR agency wrote to let us know that SpiralFrog does not use audio ads, just banners (and SpiralFrog’s FAQ only mentions “ads on our pages,” implying banners). We got the information about audio ads from a quote in this BBC article, which reads “Last year saw the launch of Spiral Frog, another free service supported by advertising. Unlike, it offers free downloads but has failed to make a major impact. Mr Jones from said that may be because users are forced to listen to an advert with each track, whereas his service will be supported by banner advertising.” We should have stated that SpiralFrog allows downloads and requires registration, whereas does not. We regret the error.

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